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In addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like \"Stir It Up,\" \"I Shot the Sheriff,\" and the gorgeous, poignant \"Redemption Song\" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air. 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Then there's that reggae version of \"Red Red Wine\" that spills out of yachts, frat parties, soirees by the pool, water parks, and just about anywhere there are sun-seeking tourists. Delivered with a drunken sway, the band's cover of the Neil Diamond favorite also features a new toasted\/rapped break in the middle, which comes courtesy of UB40 MC Astro and adds so much mirth and fun to the number that Diamond lifted it for his own live show. Even if omnipresence has since made it pop-reggae's \"Don't Worry Be Happy,\" the U.K. crew's version is in the Jamaican tradition of covering sweet, soothing tunes that pre-date lovers rock, plus the rest of this all-cover-versions album sticks with the classic reggae songbook, as even the Impressions' \"Keep on Moving\" is done in a style that honors the 1973 recording from Bob Marley \u0026amp; the Wailers. 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